Widow Clicquot recensione di Catello Masullo
(credits da IMDB)
Widow Clicquot (2023)
Directed by
| Thomas Napper |
Writing Credits (in alphabetical order)
| Erin Dignam | … | (screenplay) |
| Christopher Monger | … | (screenplay) |
Cast
Produced by
| Haley Bennett | … | producer |
| John Bernard | … | executive producer |
| Marco Calabrese | … | associate producer |
| Katy Moroz | … | associate producer |
| Christine Raspillère | … | line producer |
| Christina Weiss Lurie | … | producer |
| Joe Wright | … | producer |
Cinematography by
| Caroline Champetier |
Editing by
| Richard Marizy |
Casting By
| Antonia Dauphin |
Production Design by
| Stéphane Sartorius | … | (art director) |
Costume Design by
| Marie Frémont |
Makeup Department
| Anne-Lise Bayard | … | additional makeup artist |
| Jeanne Dehée | … | assistant makeup artist / makeup artist |
| Rosalba Delfin | … | additional makeup artist |
| Manuela Horn | … | makeup artist |
| Fulvio Pozzobon | … | key hair stylist |
| Elena Salvagiani | … | makeup artist |
| Noa Yehonatan | … | key makeup artist |
Production Management
| Marianne Campos | … | production coordinator |
| Candice Fourmentin | … | Assistant production coordinator |
| Frederic Hernandez | … | production supervisor |
| Amanda Nohrborg | … | post-production manager |
Second Unit Director or Assistant Director
| Hoel Amourette | … | third assistant director |
| Apolline Bas | … | third assistant director |
| Lola Berteloot | … | second unit director |
| Emilie Justin | … | second assistant director |
| Antoine Legrand | … | trainee assistant director |
| Melvin Nkosi | … | second assistant director |
| Joseph Rapp | … | first assistant director |
| Julie-Anne Simon | … | first assistant director |
Art Department
| Roxane Adelet | … | art department coordinator |
| Sarah Berthet-Nivon | … | props buyer |
| Benjamin Fourcy | … | Set dresser |
| Colas Lambert | … | head painter |
| Marjane Texier | … | graphic designer |
Sound Department
| François Boudet | … | sound mixer |
| Fabien Devillers | … | re-recording mixer |
| Florian Fabre | … | foley artist |
| Kévin Feildel | … | foley mixer |
| Philippe Fontaine | … | Dialogue & ADR editor |
| Julien Gigliotti | … | boom operator |
| Brian Seznec | … | sound post supervisor |
| Robinson Van Caeneghem | … | 2nd boom operator |
Visual Effects by
| Teurlai Aurelien | … | visual effects artist |
| Céline Bailleul | … | digital matte painting artist |
| Laurent Brett | … | title designer |
| Christophe Courgeau | … | digital matte painting supervisor |
| Laurent Creusot | … | visual effects supervisor |
| Philippe Desfretier | … | compositing supervisor |
| Joy Lahmann Paz | … | digital compositor |
| Valentin Lebleu | … | digital compositor |
| Carina Loiseau | … | digital matte painting artist |
| Remy Meillat | … | lighting artist |
| Henri Palumbo | … | digital compositor |
| David Penuela | … | digital compositor |
| Nicolas Rey | … | On Set VFX Supervisor |
| Stéphane Soubiran | … | FX artist |
| Rodolphe Zirah | … | lighting artist |
Stunts
| Patrick Cauderlier | … | stunt coordinator |
Camera and Electrical Department
| Adèle Belliot | … | electrician |
| Théo Benavides-Nail | … | additional grip |
| David Bigard | … | grip |
| Antonin Boitier | … | electrician |
| Zoï Bota | … | second assistant camera |
| Laurent Bourgeat | … | gaffer |
| Marc Briolay | … | rigging grip |
| Sylvain Chetail | … | electrician |
| Stéphane Chollet | … | steadycam |
| Oscar Desclozeaux | … | assistant camera |
| Florian Desobeaux | … | rigging electrican |
| Nicolas Eveilleau | … | first assistant camera |
| Alexis Grahovac | … | rigging electrian |
| Laurent Hincelin | … | first assistant camera |
| Camille Houguenague | … | best girl electric |
| Charles Lagorce | … | grip |
| Alan Lemay | … | Grip best boy |
| Hugo Martin | … | first assistant camera retake / second assistant camera |
| Marin Payot | … | assistant camera |
| Brice Roustang | … | Rigging Gaffer |
| Christine Tamalet | … | still photographer |
| François-Xavier Walter | … | key grip |
Casting Department
| Claire Baradat | … | extras casting |
| Pénélope Messier | … | extras casting |
Costume and Wardrobe Department
| Claire Dian | … | crowd costumer |
| María Gutiérrez | … | crowd dresser |
Editorial Department
| Florent Carcedo | … | first assistant editor |
| Gilles Granier | … | colorist |
| Théodore Julia | … | on-line editor |
| Ines Sanchez | … | colorist: dailies |
Location Management
| Sébastien Quérité | … | location manager |
Music Department
| Robert Ames | … | conductor / orchestrator |
| Ananda Chatterjee | … | Copyist / orchestrator |
| London Contemporary Orchestra | … | Score Performed by |
| George Hinson | … | Copyist |
| Eve Littlefair | … | musician: cello |
| Lewis Morison | … | music editor |
Script and Continuity Department
| Thomas Chapelle | … | script assistant |
| Charles Jodoin-Keaton | … | script supervisor |
Additional Crew
| Nick Cassavetes | … | Additional Literary Material |
| Alexandre Collombier | … | production assistant |
| Judith McSpadden | … | Dialect Coach |
| Christian Simonds | … | production counsel |
Recensione di Catello Masullo: La storia vera della vedova di Philippe Clicquot, proprietario di vigneti e produttore di Champagne, è una vicenda epica, che racconta della prima imprenditrice di sesso femminile d’Europa, in un periodo, tra fine ‘700 ed inizi ‘800, in cui i vigenti codici napoleonici dell’epoca proibivano in Francia le imprese a conduzione femminile. Restata vedova a soli 27 anni, in un mondo totalmente dominato dagli uomini, il sistema cerca di schiacciarla in ogni mondo. Tutto le rema contro, a cominciare dal suocero, che è anche suo socio. Ma la caparbietà, la forza, il grande talento della indomita Barbe-Nicole Ponsardin Clicquot, resiste alle enormi pressioni, creando tecniche rivoluzionarie ancora oggi utilizzate dalla gran parte dei produttori di Champagne. Film di scrittura solida, di regia capace e di interpretazioni eccellenti. Da non perdere.
Valutazione Sintetica: 7.5/8
(credits da IMDB)
Widow Clicquot (2023)
Directed by
| Thomas Napper |
Writing Credits (in alphabetical order)
| Erin Dignam | … | (screenplay) |
| Christopher Monger | … | (screenplay) |
Cast
Produced by
| Haley Bennett | … | producer |
| John Bernard | … | executive producer |
| Marco Calabrese | … | associate producer |
| Katy Moroz | … | associate producer |
| Christine Raspillère | … | line producer |
| Christina Weiss Lurie | … | producer |
| Joe Wright | … | producer |
Cinematography by
| Caroline Champetier |
Editing by
| Richard Marizy |
Casting By
| Antonia Dauphin |
Production Design by
| Stéphane Sartorius | … | (art director) |
Costume Design by
| Marie Frémont |
Makeup Department
| Anne-Lise Bayard | … | additional makeup artist |
| Jeanne Dehée | … | assistant makeup artist / makeup artist |
| Rosalba Delfin | … | additional makeup artist |
| Manuela Horn | … | makeup artist |
| Fulvio Pozzobon | … | key hair stylist |
| Elena Salvagiani | … | makeup artist |
| Noa Yehonatan | … | key makeup artist |
Production Management
| Marianne Campos | … | production coordinator |
| Candice Fourmentin | … | Assistant production coordinator |
| Frederic Hernandez | … | production supervisor |
| Amanda Nohrborg | … | post-production manager |
Second Unit Director or Assistant Director
| Hoel Amourette | … | third assistant director |
| Apolline Bas | … | third assistant director |
| Lola Berteloot | … | second unit director |
| Emilie Justin | … | second assistant director |
| Antoine Legrand | … | trainee assistant director |
| Melvin Nkosi | … | second assistant director |
| Joseph Rapp | … | first assistant director |
| Julie-Anne Simon | … | first assistant director |
Art Department
| Roxane Adelet | … | art department coordinator |
| Sarah Berthet-Nivon | … | props buyer |
| Benjamin Fourcy | … | Set dresser |
| Colas Lambert | … | head painter |
| Marjane Texier | … | graphic designer |
Sound Department
| François Boudet | … | sound mixer |
| Fabien Devillers | … | re-recording mixer |
| Florian Fabre | … | foley artist |
| Kévin Feildel | … | foley mixer |
| Philippe Fontaine | … | Dialogue & ADR editor |
| Julien Gigliotti | … | boom operator |
| Brian Seznec | … | sound post supervisor |
| Robinson Van Caeneghem | … | 2nd boom operator |
Visual Effects by
| Teurlai Aurelien | … | visual effects artist |
| Céline Bailleul | … | digital matte painting artist |
| Laurent Brett | … | title designer |
| Christophe Courgeau | … | digital matte painting supervisor |
| Laurent Creusot | … | visual effects supervisor |
| Philippe Desfretier | … | compositing supervisor |
| Joy Lahmann Paz | … | digital compositor |
| Valentin Lebleu | … | digital compositor |
| Carina Loiseau | … | digital matte painting artist |
| Remy Meillat | … | lighting artist |
| Henri Palumbo | … | digital compositor |
| David Penuela | … | digital compositor |
| Nicolas Rey | … | On Set VFX Supervisor |
| Stéphane Soubiran | … | FX artist |
| Rodolphe Zirah | … | lighting artist |
Stunts
| Patrick Cauderlier | … | stunt coordinator |
Camera and Electrical Department
| Adèle Belliot | … | electrician |
| Théo Benavides-Nail | … | additional grip |
| David Bigard | … | grip |
| Antonin Boitier | … | electrician |
| Zoï Bota | … | second assistant camera |
| Laurent Bourgeat | … | gaffer |
| Marc Briolay | … | rigging grip |
| Sylvain Chetail | … | electrician |
| Stéphane Chollet | … | steadycam |
| Oscar Desclozeaux | … | assistant camera |
| Florian Desobeaux | … | rigging electrican |
| Nicolas Eveilleau | … | first assistant camera |
| Alexis Grahovac | … | rigging electrian |
| Laurent Hincelin | … | first assistant camera |
| Camille Houguenague | … | best girl electric |
| Charles Lagorce | … | grip |
| Alan Lemay | … | Grip best boy |
| Hugo Martin | … | first assistant camera retake / second assistant camera |
| Marin Payot | … | assistant camera |
| Brice Roustang | … | Rigging Gaffer |
| Christine Tamalet | … | still photographer |
| François-Xavier Walter | … | key grip |
Casting Department
| Claire Baradat | … | extras casting |
| Pénélope Messier | … | extras casting |
Costume and Wardrobe Department
| Claire Dian | … | crowd costumer |
| María Gutiérrez | … | crowd dresser |
Editorial Department
| Florent Carcedo | … | first assistant editor |
| Gilles Granier | … | colorist |
| Théodore Julia | … | on-line editor |
| Ines Sanchez | … | colorist: dailies |
Location Management
| Sébastien Quérité | … | location manager |
Music Department
| Robert Ames | … | conductor / orchestrator |
| Ananda Chatterjee | … | Copyist / orchestrator |
| London Contemporary Orchestra | … | Score Performed by |
| George Hinson | … | Copyist |
| Eve Littlefair | … | musician: cello |
| Lewis Morison | … | music editor |
Script and Continuity Department
| Thomas Chapelle | … | script assistant |
| Charles Jodoin-Keaton | … | script supervisor |
Additional Crew
| Nick Cassavetes | … | Additional Literary Material |
| Alexandre Collombier | … | production assistant |
| Judith McSpadden | … | Dialect Coach |
| Christian Simonds | … | production counsel |
Recensione di Catello Masullo: La storia vera della vedova di Philippe Clicquot, proprietario di vigneti e produttore di Champagne, è una vicenda epica, che racconta della prima imprenditrice di sesso femminile d’Europa, in un periodo, tra fine ‘700 ed inizi ‘800, in cui i vigenti codici napoleonici dell’epoca proibivano in Francia le imprese a conduzione femminile. Restata vedova a soli 27 anni, in un mondo totalmente dominato dagli uomini, il sistema cerca di schiacciarla in ogni mondo. Tutto le rema contro, a cominciare dal suocero, che è anche suo socio. Ma la caparbietà, la forza, il grande talento della indomita Barbe-Nicole Ponsardin Clicquot, resiste alle enormi pressioni, creando tecniche rivoluzionarie ancora oggi utilizzate dalla gran parte dei produttori di Champagne. Film di scrittura solida, di regia capace e di interpretazioni eccellenti. Da non perdere.
Valutazione Sintetica: 7.5/8