Second tour, Recensione di Rossella Pozza
(credits da IMDB)
Second tour (2023)
Directed by
| Albert Dupontel |
Writing Credits (in alphabetical order)
| Albert Dupontel | … | (screenplay) |
Cast (in credits order)
Produced by
| Catherine Bozorgan | … | producer |
| Ardavan Safaee | … | co-producer |
Music by
| Christophe Julien |
Cinematography by
| Julien Poupard |
Editing by
| Christophe Pinel |
Casting By
| Anaïs Duran |
Production Design by
| Mathieu Junot |
Costume Design by
| Mimi Lempicka |
Makeup Department
| Benjamin Manzambi | … | assistant hair stylist |
Production Management
| Tiphaine Robion | … | production administrator |
Second Unit Director or Assistant Director
| Alexandra Gayzal | … | second assistant director |
| Zuzana Tomcalova | … | second assistant director |
| Brieuc Vanderswalm | … | first assistant director |
Art Department
| François Borgeaud | … | property master |
| Louis Duru | … | Swing gang |
| Emmanuelle Olle | … | set decorator |
| Victoria Poirier | … | assistant art director |
Sound Department
| Julien Bourdeau | … | dialogue editor |
| Gurwal Coïc-Gallas | … | supervising sound editor |
| Sergio Henriquez Martinez | … | boom operator |
| Cyril Holtz | … | re-recording mixer |
| Damien Lazzerini | … | re-recording mixer |
| Jean Minondo | … | sound |
| Tanguy Nottet | … | auditorium assistant / sound mastering engineer |
| Malo Thouément | … | boom operator |
Special Effects by
| Alexis Blanc | … | special effects technician |
| Max Garnier | … | special effects foreman |
| Sara Helminger | … | special effects technician |
| Jérome Miel | … | special effects supervisor |
Visual Effects by
| Diego Cordier-Royer | … | visual effects producer: The Yard VFX |
| Julie Dijoux | … | visual effects production coordinator: The Yard VFX |
| Stephan Dumoulin | … | digital compositor: The Yard VFX |
| Cédric Fayolle | … | visual effects supervisor |
| Cyprien Huet | … | compositor: The Yard VFX |
| Ryoma Leneuf | … | lead cg: The Yard VFX |
| Gabriel Martinez | … | cg artist : The Yard VFX |
| Léo Natta | … | digital compositor: The Yard Vfx |
| Sébastien Nebout | … | visual effects supervisor: The Yard VFX |
| Jeremy Pierre | … | compositing supervisor: The Yard VFX |
| Thomas Ravaud | … | digital compositor |
| Melodie Robert | … | visual effects producer: French Keys |
| Bruno Serre | … | Digital Matte Painter |
Stunts
| Julien Bruant | … | stunt coordinator |
| Adrien Jeunemaitre | … | stunt performer |
| Ben Milord | … | stunt double: Uri Gavriel |
Camera and Electrical Department
| Dorine Destouches | … | electrician |
| Lise Marand | … | camera trainee |
| Julien Marie | … | q-take operator |
| Alban Paqueville | … | additional second assistant camera |
| Tibaud Roussel | … | second assistant: a camera |
| Arthur Schwarz | … | first assistant camera |
| Gaspard Soboul | … | assistant camera |
Casting Department
| Pierre Colse | … | extras casting assistant |
| Manon Doursat | … | extras casting assistant |
| Edith Fleury | … | extras casting director |
Costume and Wardrobe Department
| Léonie Avignon | … | costumer: daily |
| Jade Rang | … | trainee |
| Solene Verdon | … | assistant costume designer |
Editorial Department
| Natacha Louis | … | colorist |
| Carlos Pinto | … | first assistant editor |
Location Management
| Philippe Le Forestier | … | location manager |
| Marie Mayet | … | location assistant |
Music Department
| Cecile Coutelier | … | music editor / orchestrator |
| Rebecca Delannet | … | music supervisor |
| Astrid Gomez-Montoya | … | music supervisor |
| Christophe Pinel | … | Choix musicaux |
| Lea Taugourdeau | … | music licensing |
Script and Continuity Department
| Jeanne Fontaine-Sarda | … | script supervisor |
Additional Crew
| Blandine Masseron | … | legal affairs |
NOTE
– PRESENTATO NELLA SEZIONE GRAND PUBLIC ALLA XVIII FESTA DEL CINEMA DI ROMA (2023).
Recensione di Rossella Pozza: Il cinema francese si fa onore alla Festa di Roma, con una selezione di film di eccellente qualità. Tra i quali questo “Second Tour”, scritto, diretto ed interpretato (anzi “doppiamente interpretato”) da Albert Dupontel. Con il tono della commedia brillante, che fa ridere, e molto, fa passare ed arrivare allo spettatore temi alti e seri, come la creazione (dal nulla o quasi, vedi Macron?) di leader politici da telecomandare da parte di enormi poteri economici, l’ambiente, le migrazioni climatiche, i cambiamenti climatici. Ritmo fantastico, battute fulminanti, interpretazioni di livello, confezione godibile. Da non perdere.
Valutazione Sintetica: 8